The Angels Want To Take My Red Hat
MK-Assassin in the Rye
GPT-Summary
Introduction
📘 The Freemason in the Rye by Joseph Atwill digs into the cryptic layers of J.D. Salinger’s The Catcher in the Rye, uncovering its hidden connections to Freemasonry, psychological conditioning, and historical conspiracies. Atwill suggests that the novel operates as both a coming-of-age tale and an encoded allegory of Masonic initiation, steeped in symbolic death, rebirth, and enlightenment.
The book’s recurring motifs—such as Holden Caulfield’s red hunting hat—are reinterpreted as more than mere accessories or quirks, serving instead as visual and narrative keys to a deeper, esoteric agenda. Is the red hat a talisman of rebellion or something more sinister, tied to real-world events and psychological control? Atwill invites readers to question the seemingly innocuous, revealing a novel far more enigmatic than it appears.
Summary
📘 Symbolism and Freemasonry
Holden Caulfield’s experiences parallel Freemasonry initiation rituals, particularly the symbolic concepts of death and rebirth. His disillusionment and struggle for authenticity reflect the challenges faced by initiates ascending Masonic hierarchies. The “secret fraternity” mentioned by Holden is tied to Freemasonry, with its emphasis on secrecy and esoteric wisdom.
Key scenes in the novel align with Masonic teachings. The ducks in Central Park Lagoon are symbols of impermanence, contrasted with the enduring truth represented by the fish. These motifs reflect Freemasonry’s teachings on stability and adaptability.
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📘 The Red Hunting Hat
Holden’s red hunting hat, which he refers to as his “people-shooting hat,” serves as a focal point of symbolic analysis. Its bold color and unconventional appearance represent Holden’s rebellion against societal norms. The hat’s placement, pulled low over his face, signifies detachment and protection, marking it as both an armor against external judgment and a statement of individuality.
The hat’s description as a “people-shooting hat” is interpreted as a dark metaphor tied to Holden’s aggression and internalized frustrations. This phrase suggests a symbolic form of violence—Holden’s metaphorical resistance to the hypocrisy of the world he perceives as phony. However, viewed within the context of broader conspiracy theories, the phrase gains a potentially sinister dimension. The novel’s association with figures like Mark David Chapman and John Warnock Hinckley Jr., both of whom were influenced by The Catcher in the Rye, lends weight to interpretations of the hat as a subliminal trigger tied to psychological conditioning and latent violence.
Beyond its immediate narrative context, the red hunting hat connects Holden to historical and esoteric traditions. The hat’s vivid red color recalls the Phrygian cap, a symbol of liberty, rebellion, and freedom dating back to the Roman Empire and later adopted during the French Revolution. This connection aligns Holden’s struggles with broader ideals of resisting oppression and asserting independence, emphasizing his role as a disillusioned revolutionary figure.
Similarly, the hat echoes the Mithraic red cap, historically associated with the Persian god Mithras and his initiates. In Mithraic rituals, the red cap signified spiritual ascent and enlightenment—a fitting parallel to Holden’s symbolic journey through self-discovery and his rebellion against societal expectations. The hat also draws comparisons to the Corona Ducale of Venice, a ceremonial ducal cap representing power, sovereignty, and the weight of responsibility. In this context, Holden’s hat becomes a crown of defiance, symbolizing his attempt to exert control over his chaotic world while struggling with the burden of self-imposed isolation.
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Holden’s description of the hat as “people-shooting” further ties it to themes of rebellion, frustration, and control. This recurring presence underscores the tension between identity and vulnerability, making the hat a tool for self-expression and a protective shield. Throughout the novel, Holden dons the hat during moments of heightened emotional distress, such as when he feels isolated, misunderstood, or at odds with the world. Its backward orientation during these moments reflects his resistance to societal norms and his desire to challenge conventional expectations.
At the same time, Holden’s moments of removing the hat signal a willingness to lower his defenses. For instance, he takes off the hat when interacting with Phoebe, his younger sister, demonstrating trust and emotional openness. This duality—wearing the hat as both armor and a symbol of rebellion, and removing it to show vulnerability—reveals its centrality to Holden’s identity and inner conflict.
The color red ties the hat to additional layers of symbolic meaning. Red often signifies intensity, passion, and danger, which align with Holden’s volatile emotional state and his struggle to navigate an alienating world. In the analysis of conspiracy theories, red also functions as a psychological trigger, potentially embedded within the narrative as a cue for specific emotional states in Holden and, allegorically, the reader. The choice of red amplifies the hat’s role as both a visual anchor and a symbolic node of tension.
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Finally, the hunting aspect of the hat ties it to themes of pursuit and survival. Like a hunter, Holden is perpetually searching—whether for authenticity, connection, or an escape from the “phoniness” of the world. This hunting motif resonates with Freemasonry’s allegories of seekers on a path to enlightenment, struggling to transcend base desires and uncover hidden truths. Through these layered meanings, the red hunting hat emerges as a richly symbolic element, encapsulating Holden’s individuality, defiance, and vulnerability while connecting him to timeless symbols of rebellion and initiation.
📘 Psychological Triggers and MK-Ultra
The text argues that The Catcher in the Rye was potentially used in the CIA’s MK-Ultra program. The novel’s cryptic phrases and themes of alienation and defiance are seen as psychological triggers for sleeper agents. The red hat is analyzed as a possible activating symbol within this framework.
This interpretation is supported by the possession of the novel by Mark David Chapman, who carried it after assassinating John Lennon, and John Warnock Hinckley Jr., who had the book during his attempted assassination of Ronald Reagan. These cases are cited as evidence of the novel’s potential use in psychological conditioning.
📘 Historical Context and Salinger’s Role
J.D. Salinger’s service in the OSS during World War II is critical to understanding the novel’s themes. His work in counterintelligence, including interrogating Nazi officers, exposed him to methods of psychological manipulation and secrecy. These experiences are believed to have informed the cryptic and allegorical elements of The Catcher in the Rye.
The OSS’s efforts to integrate Nazi research into post-war intelligence operations provide further context. The novel is interpreted as encoding elements of these methodologies, bridging fiction and covert psychological tools.
📘 Phoebe’s Role and Cryptic Messages
Phoebe Caulfield, Holden’s sister, is a key figure in the novel’s symbolic framework. Her notebook contains cryptic messages interpreted as reflecting Freemasonry’s apocalyptic vision. Her character serves as a prophetic figure, with her writings representing hidden truths and rebellion against societal constructs.
Phoebe’s messages, such as references to Sagittarius and Taurus, align with the novel’s exploration of duality and esoteric themes tied to Freemasonry.
📘 Symbolic Locations and Objects
New York City, as depicted in the novel, is a symbolic landscape representing Holden’s internal struggles. The Central Park Lagoon, with its recurring motif of ducks and fish, symbolizes the tension between transience and permanence. The museum that Holden avoids entering is interpreted as a representation of a Freemason temple, symbolizing a threshold Holden cannot cross without enlightenment.
Holden’s red hunting hat is central to the narrative, serving as a recurring symbol of protection, rebellion, and psychological control.
📘 Freemasonry’s Apocalyptic Vision
The analysis interprets Holden’s journey as reflecting Freemasonry’s apocalyptic goals, where secret knowledge is used to manipulate societal structures. The novel’s conclusion aligns with themes of partial enlightenment and the broader agenda of societal control attributed to Freemasonry.
📘 Cultural Legacy and Conspiracies
The novel’s association with assassinations highlights its controversial legacy. Mark David Chapman’s and John Warnock Hinckley Jr.’s links to the novel fuel theories of its use in covert psychological operations. These connections frame The Catcher in the Rye as more than a literary work, presenting it as a potential tool for manipulation and societal critique.
FAQ
Q: What is the connection between The Catcher in the Rye and Freemasonry?
A: The Catcher in the Rye is interpreted as an allegorical representation of Freemasonry’s initiation rituals. Holden Caulfield’s journey reflects Masonic themes such as symbolic death, rebirth, and the pursuit of enlightenment. The novel encodes Masonic teachings, with references like the “secret fraternity” paralleling the hierarchical and esoteric structure of Freemasonry. Holden’s repeated questions about permanence, such as the ducks in Central Park, align with the Masonic focus on enduring truths and self-discovery.
Q: How does the red hunting hat contribute to the novel’s themes?
A: Holden’s red hunting hat is a recurring symbol of individuality, rebellion, and protection. Described as a “people-shooting hat,” it reflects his internal aggression and detachment from societal norms. The hat’s bright color represents defiance, while its role as a comfort object underscores Holden’s vulnerability. Its connection to figures like Mark David Chapman, who carried The Catcher in the Rye during John Lennon’s assassination, has led to its interpretation as a subliminal trigger or emblem of psychological conditioning.
Q: What evidence links The Catcher in the Rye to real-world violence?
A: The novel is associated with high-profile crimes, including Mark David Chapman’s murder of John Lennon and John Warnock Hinckley Jr.’s attempted assassination of Ronald Reagan. Both individuals were deeply influenced by the novel, with Chapman calling himself the “catcher in the rye” and carrying the book at the scene of the crime. Hinckley possessed the novel during his attack, further fueling claims that it served as a psychological trigger.
Q: What role does J.D. Salinger’s biography play in this analysis?
A: J.D. Salinger’s work in the OSS during World War II, including interrogations and counterintelligence, exposed him to advanced psychological techniques and covert operations. These experiences are believed to have influenced the novel’s cryptic themes. His connection to deNazification programs and the integration of Nazi psychological research adds depth to claims that the novel encodes methodologies tied to intelligence operations.
Q: How is The Catcher in the Rye connected to MK-Ultra?
A: The Catcher in the Rye is alleged to have been used as part of the CIA’s MK-Ultra program, which explored mind-control techniques. The novel’s cryptic language, themes of rebellion, and symbolic imagery, such as the red hunting hat, are argued to act as psychological triggers for individuals subjected to conditioning. The association with Chapman and Hinckley supports this theory.
Q: What is the significance of the ducks in Central Park Lagoon?
A: The ducks represent transience and adaptability, aligning with Freemasonry’s teachings on permanence and change. Holden’s recurring question about where the ducks go during winter reflects his existential concern with stability and survival. This symbolism ties the ducks to the broader allegorical themes of Freemasonry and self-discovery.
Q: How is Phoebe Caulfield interpreted within this analysis?
A: Phoebe Caulfield is seen as a symbolic figure representing prophecy and innocence. Her notebook contains cryptic messages, interpreted as reflecting Freemasonry’s apocalyptic vision. The act of wearing Holden’s red hunting hat during the carousel scene suggests her alignment with Holden’s symbolic struggle and the transmission of protection and insight.
Q: What is the “secret fraternity” mentioned in the novel?
A: The “secret fraternity” is interpreted as a reference to Freemasonry. This aligns with the novel’s themes of initiation, secrecy, and the pursuit of higher knowledge. Holden’s rejection of societal norms and eventual self-awareness parallel the stages of enlightenment in Masonic rituals.
Q: How does the title The Catcher in the Rye tie into the analysis?
A: The title is derived from Robert Burns’s poem “Comin’ Through the Rye.” The misquoted line, “If a body catch a body,” represents Holden’s desire to protect innocence. The analysis ties this sentiment to Freemasonry’s teachings on safeguarding wisdom and purity. The title also reflects the novel’s allegorical exploration of societal protection and control.
Q: What role does World Vision play in the analysis?
A: World Vision is linked to Mark David Chapman, who worked in its refugee camps, and John Warnock Hinckley Jr.’s father, a prominent figure in the organization. These connections are examined for their proximity to intelligence activities and psychological manipulation, given the organization’s global reach and its involvement in politically volatile regions.
People
J.D. Salinger - Salinger’s work in the OSS during World War II placed him at the center of counterintelligence and psychological operations. His involvement in interrogations of high-ranking Nazi officials during the deNazification of Europe exposed him to covert techniques that may have informed the cryptic and symbolic elements of The Catcher in the Rye. Post-war, Salinger’s withdrawal from public life, coupled with the novel’s themes of secrecy, rebellion, and psychological strain, aligns him with allegations of encoding hidden messages within the text.
Holden Caulfield - As the protagonist of The Catcher in the Rye, Holden symbolizes existential alienation, rebellion, and a longing for authenticity. His journey is interpreted as an allegorical parallel to Freemasonry’s initiation rites, which involve symbolic death, rebirth, and enlightenment. Holden’s red hunting hat, “people-shooting hat,” and preoccupation with ducks in Central Park Lagoon encapsulate his inner conflicts and align with broader allegorical frameworks of resistance and psychological manipulation.
Mark David Chapman - Chapman’s assassination of John Lennon in 1980 solidified the novel’s controversial legacy. Found reading The Catcher in the Rye immediately after the crime, Chapman identified deeply with Holden Caulfield, echoing the novel’s themes of alienation and authenticity. His infamous statement, “I am the catcher in the rye,” paired with his repeated claim that the novel revealed ultimate truths, highlights its influence on his psyche. His actions are central to theories of the book being a psychological trigger.
John Warnock Hinckley Jr. - Hinckley’s 1981 attempted assassination of Ronald Reagan brought further scrutiny to The Catcher in the Rye. Discovered among his possessions, the novel reinforced its connection to acts of violence and the theory that it functions as a conditioning tool. Hinckley’s obsession with Jodie Foster and the interplay between his psychological state and the novel’s themes of rebellion are critical to the broader analysis of its impact.
Robert John Bardo - Bardo’s murder of actress Rebecca Schaeffer in 1989 added another layer to the novel’s controversial narrative. His possession of The Catcher in the Rye at the time of the crime and his fascination with its themes underscore the recurring pattern of violence linked to the novel. Bardo’s case highlights the potential for the book to influence disaffected individuals drawn to its portrayal of societal rejection.
Lee Harvey Oswald - Alleged connections between Oswald, the assassin of John F. Kennedy, and The Catcher in the Rye remain speculative. However, Oswald’s actions are included in conspiracy theories surrounding the novel’s role in psychological manipulation and societal control.
Sirhan Sirhan - The convicted assassin of Robert F. Kennedy in 1968, Sirhan’s actions are tied to theories of conditioning programs, with suggestions that his involvement in violent events may align with broader manipulative frameworks connected to The Catcher in the Rye.
Jack Ruby - Ruby, who killed Lee Harvey Oswald, is often included in discussions of manipulation and conspiracy involving figures tied to violent incidents. His actions add to the narrative surrounding psychological control and covert influence.
James Earl Ray - Ray, the assassin of Martin Luther King Jr. in 1968, is included in the analysis of patterns of manipulation and societal influence linked to individuals associated with The Catcher in the Rye.
Rebecca Schaeffer - Schaeffer, an actress murdered by Robert John Bardo, represents the victim aspect of the Catcher in the Rye mystery. Her death connects the novel’s alleged influence to high-profile crimes involving personal obsession and psychological instability.
Jodie Foster - As the object of John Hinckley Jr.’s obsession, Foster becomes an indirect but significant figure in the narrative surrounding the novel. Hinckley’s fixation on her and his possession of The Catcher in the Rye highlight the interplay between personal delusion and the novel’s themes.
Madonna - While unverified, Madonna is listed as a rumored target in the broader conspiracy surrounding The Catcher in the Rye. Her inclusion reflects the novel’s speculative influence on individuals with obsessive tendencies.
John F. Kennedy - Assassinated by Lee Harvey Oswald in 1963, Kennedy’s death is tied to broader conspiracies involving manipulation, with The Catcher in the Rye included in discussions of the cultural and psychological backdrop to these events.
Ronald Reagan - Reagan’s survival of the assassination attempt by John Hinckley Jr. in 1981 ties him to the novel’s legacy of association with politically motivated violence and broader patterns of psychological influence.
John Lennon - Lennon’s murder by Mark David Chapman in 1980 is the most prominent real-world event linked to The Catcher in the Rye. Chapman’s repeated references to the novel as his inspiration cement its controversial status and role in the analysis.
Bobby Kennedy - Assassinated by Sirhan Sirhan in 1968, Kennedy’s inclusion in the Catcher in the Rye mystery ties his death to patterns of influence, manipulation, and societal control explored in the analysis.
Martin Luther King Jr. - King’s assassination by James Earl Ray in 1968 is woven into the broader narrative of manipulation and conspiracy tied to individuals connected to acts of violence.
Organizations
OSS (Office of Strategic Services) - The OSS was the intelligence agency responsible for critical covert operations during World War II, serving as the precursor to the CIA. J.D. Salinger was employed by the OSS, where he conducted interrogations of Nazi prisoners and worked in counterintelligence. These experiences placed him at the heart of intelligence operations that shaped post-war psychological research and contributed to the cryptic elements observed in The Catcher in the Rye. The OSS’s activities in gathering Nazi scientific and psychological knowledge during the war form a foundation for theories connecting Salinger’s work to broader themes of secrecy and control.
CIA (Central Intelligence Agency) - The CIA, successor to the OSS, is implicated in the analysis of The Catcher in the Rye due to its association with psychological operations and the MK-Ultra program. The agency is accused of using the novel’s language and themes as tools for mind control, embedding subliminal messages to condition sleeper agents. The CIA’s focus on behavioral manipulation through covert projects lends credence to allegations of the novel’s deliberate role in psychological conditioning.
Freemasons - Freemasonry is identified as the “secret fraternity” referenced in The Catcher in the Rye. The organization’s hierarchical structure, initiation rituals, and esoteric knowledge are reflected in the symbolic journey of Holden Caulfield. The analysis interprets the novel as encoding Masonic themes of death, rebirth, and enlightenment. Freemasonry’s alleged influence on societal systems of control and its connection to the novel’s apocalyptic subtext suggest a deliberate integration of its symbols into the text.
MK-Ultra - MK-Ultra was a covert CIA program designed to explore mind control techniques using drugs, psychological conditioning, and subliminal messaging. The analysis positions The Catcher in the Rye as a potential tool employed in these experiments. The novel’s recurring themes of alienation, rebellion, and coded phrases are argued to serve as psychological triggers embedded within MK-Ultra’s framework. This connection highlights the intersection of literature and behavioral science in covert operations.
World Vision - World Vision, a prominent humanitarian organization, is linked to figures associated with The Catcher in the Rye. Mark David Chapman worked in World Vision’s refugee camps, while John Warnock Hinckley Jr.’s father, John Hinckley Sr., was a senior executive of the organization. These connections are explored for their proximity to intelligence activities and psychological conditioning, particularly given the organization’s global reach and involvement in politically volatile regions.
Nazi Intelligence Programs - Post-war intelligence programs involving the repurposing of Nazi expertise and research, particularly in mind control and psychological manipulation, are central to the analysis. Salinger’s work with the OSS during the deNazification of Europe and his role in interrogations are framed as direct links to these operations. The analysis suggests that the themes of manipulation and secrecy in The Catcher in the Rye draw on methodologies developed during this period. These connections provide historical context for the novel’s alleged use in intelligence activities.
Locations
OSS Headquarters - The headquarters of the Office of Strategic Services was the central hub for intelligence operations during World War II. J.D. Salinger’s role within the OSS, which included interrogating Nazi officers and conducting counterintelligence activities, is tied to the wartime experiences that informed the cryptic and symbolic elements of The Catcher in the Rye.
Europe (Post-War) - Europe, during the deNazification period, is critical to Salinger’s exposure to psychological and intelligence methods. His deployment to interrogate high-ranking Nazi prisoners and to dismantle remnants of Nazi intelligence operations connects him to themes of manipulation and secrecy central to the analysis of the novel.
MK-Ultra Research Facilities - Although specific sites are unnamed, the facilities where MK-Ultra experiments were conducted are central to the analysis. These locations are implied as operational centers for testing psychological conditioning, with The Catcher in the Rye alleged to have been integrated into these experiments as a trigger or tool for manipulation.
World Vision Camps - Refugee camps operated by World Vision, particularly in regions of political instability, are linked to the activities of Mark David Chapman. These locations are significant as potential intersections between humanitarian work, psychological conditioning, and covert intelligence operations.
Hinckley Family Residence - The home of John Hinckley Jr., where The Catcher in the Rye was discovered, is significant to the discussion of the book’s role as a trigger in high-profile acts of violence. The residence is mentioned as part of a pattern of association between the novel and individuals involved in notable crimes.
Central Park Lagoon (New York City) - The lagoon in Central Park serves as a symbolic location within the novel, representing Holden Caulfield’s preoccupation with permanence and change. It is analyzed as an allegory for Freemasonry’s teachings on constancy and truth.
Freemason Temples - While not directly referenced in the novel, Freemason temples are symbolically connected to the themes of initiation, enlightenment, and secrecy depicted in Holden’s journey. The analysis interprets the “museum” in the story as a stand-in for the Freemason temple, which Holden is unable to enter, reflecting his incomplete journey toward mastery.
Rebecca Schaeffer’s Apartment - The residence of actress Rebecca Schaeffer, murdered by Robert John Bardo in 1989. This location underscores the novel’s association with violence and its recurring presence in high-profile crimes.
Timeline
1942-1945 - J.D. Salinger serves in the OSS during World War II, engaging in counterintelligence and interrogation of Nazi officers. These experiences provide him with exposure to classified methods and psychological research that influence the thematic structure of The Catcher in the Rye.
1947-1950 - The post-war period sees the deNazification of Europe, during which intelligence agencies repurpose Nazi research into psychological manipulation and control. Salinger’s OSS background connects him to this historical context, which is argued to have informed the novel’s subtext.
1963 - President John F. Kennedy is assassinated by Lee Harvey Oswald. While The Catcher in the Rye is not directly linked to this event, Oswald’s actions become part of conspiracy theories surrounding manipulation and conditioning.
1968 - Martin Luther King Jr. is assassinated by James Earl Ray, and Robert F. Kennedy is killed by Sirhan Sirhan. These events are later connected to broader narratives involving covert manipulation and psychological triggers.
1951 - The Catcher in the Rye is published. Its themes of alienation, rebellion, and cryptic messaging draw critical attention, particularly for its influence on disaffected youth. Allegations about its deeper connections to intelligence operations emerge over time.
1980 - Mark David Chapman assassinates John Lennon and carries a copy of The Catcher in the Rye. Chapman identifies with Holden Caulfield and claims the book as a motivator for his actions, solidifying its controversial association with violent acts.
1981 - John Hinckley Jr. attempts to assassinate Ronald Reagan. The Catcher in the Rye is discovered among his belongings, furthering its reputation as a potential trigger in psychological conditioning programs.
1989 - Robert John Bardo murders actress Rebecca Schaeffer. Found with The Catcher in the Rye, Bardo draws further attention to the novel’s association with violence and the psychological states of its readers.
Bibliography
The Catcher in the Rye by J.D. Salinger - The novel central to the analysis, discussed for its symbolic and cryptic themes related to Freemasonry and psychological manipulation.
Freemason Manuals (Referenced as a framework for interpretation) - Texts detailing Freemason initiation rites and symbolic teachings, which are directly compared to elements in the novel.
Comin’ Through the Rye by Robert Burns - The poem providing the symbolic basis for the novel’s title, interpreted in the analysis as central to its hidden meanings.
Records of Mark David Chapman’s possession of The Catcher in the Rye - Referenced to illustrate the connection between the novel and high-profile acts of violence.
Records of John Hinckley Jr.’s possession of The Catcher in the Rye - Cited to support claims of the book’s association with psychological triggers.
Glossary
Freemasonry - A fraternal organization characterized by secret rituals, hierarchical structures, and esoteric teachings. It is central to the analysis, with the novel interpreted as an allegory for Masonic initiation rites.
MK-Ultra - A covert CIA program that researched mind-control techniques through psychological conditioning, drug experimentation, and subliminal messaging. It is connected to the novel through allegations of its use as a psychological trigger.
OSS (Office of Strategic Services) - The intelligence agency during World War II where J.D. Salinger served, conducting counterintelligence and interrogations. Its operations are tied to the novel’s alleged subtext on secrecy and manipulation.
Robert Burns - A Scottish poet whose song “Comin’ Through the Rye” is the basis for the novel’s title. Its lyrics are interpreted symbolically within the analysis.
Initiation Rituals - Symbolic ceremonies marking progression through the ranks of an organization, particularly Freemasonry. The analysis argues that Holden Caulfield’s journey parallels these rituals.
People-Shooting Hat - A recurring symbol in the novel, interpreted as representing violence and control, tied to the broader themes of psychological conditioning and manipulation.
World Vision - A humanitarian organization associated with Mark David Chapman and John Warnock Hinckley Jr., explored in the analysis for its connections to intelligence and psychological operations.
Apocalypse - A term tied to the supposed Freemason agenda revealed in the novel, indicating societal upheaval or the destruction of non-Masonic systems.
Nazi Intelligence Programs - Research and methodologies repurposed by Allied intelligence after World War II, particularly in psychological manipulation. Salinger’s role in these contexts is linked to the novel’s themes.
Central Park Lagoon - A key symbolic location in the novel representing Holden Caulfield’s reflections on permanence and change, interpreted as a metaphor for Masonic teachings on stability and adaptability.
Slightly off topic, but the picture you showed on your Tuesday show of the Mythram chamber that looked like the Statue of Liberty compares strangely to the Bill Clinton portrait found in Epstein’s NY home.
The red MAGA hat mystery deepens